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Sound Score, a series of watercolour painting where I started choosing the paper, the exact hues of colour and planning the movement itself, but the process was sooner or later affected by chance. Thus I entered a swift dialogue with the material qualities of the paper and pigment. This pinciple structured the third part of my live performance Taking the Time when interacting with the public.

 

The last two images (120x200m) are part of the live performance with a silk gauze veil, while pronouncing the poem Invisible Sea – on the 14th of March 2024 at the Rencontres Internationales Traverse Vidéo, in Toulouse: https://youtu.be/mW0yucHx5Vc