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• “Le Corbusier, an architectural stop-frame”, Arhitectura, 2015, pp. 124-133.
• “Of Discipline, Disciples and Disappearance”, Architecture and Culture, Vol.1, No. 1/2, Bloomsbury Publishing, London, 2013, pp. 96-111: http://www.tandfonline.com/doi/abs/10.2752/175145213X13756908698603
• “What measuring system for the architectural experience?”, Arhitectura, 5/2012, pp. 68-73;
• “A Shift of Perception in Postwar Architectural Culture”, Nordic Journal of Architecture, No.1, Vol. 1, autumn 2011, Copenhagen, pp. 10-17;
• “Cultural heritage or branding and storytelling?” Arhitectura, 6/2011, pp. 70-75;
• “The avant-garde as vision behind the visual”, Arhitectura, 5/2011, pp. 38-43;

MAXXI, Rome, Photo Stefania Kenley © 2011.

• “The Ruhr – from the glass curtain wall to the dancers’ curtain call”, Arhitectura No. 4/2011, pp. 50-55;

Zeche Zollverein, Ruhr, Photo Stefania Kenley © 2011.

• “Druot, Lacaton, Vassal – From Detail to Concept, the Housing Tower Bois-le-Prêtre in Paris”, Arhitectura No. 2/2011, pp. 24-29

Housing Tower Bois-le-Prêtre in Paris, Photo Stefania Kenley © 2011.

• “ALLFORD HALL MONAGHAN MORRIS – The transfiguration of the Angel Building – an example of BREEAM excellence”, Arhitectura No. 1/2011, pp. 38-46

Roof of the Angel BuildingPhoto Stefania Kenley © 2011

• “Quelle durée de vie pour l’architecture durable”, Spéciale Z, ESA, Mars 2010    

Dessin & watercolour on paper, Stefania Kenley © 2011.

• “Futurisme à Paris”, Spéciale Z, http://specialez.fr/blog/2009/12/10/le-futurisme-a-paris/

Dessin & black ink on paper, Stefania Kenley © 2011.

• “ICAM 15 Paris”, Arhitectura, No. 86, Bucharest, July – August 2010, pp. 16-17
• “Enfants dans la Rue et le Land Rover sur le Deck – le concept de Connectivité urbaine dans les projets d’Alison et Peter Smithson”, in Le Team X et le logement collectif à grande échelle en Europe, Un retour critique des pratiques vers la théorie, Eds. Bruno Fayolle Lussac and Rémi Papillault, Pessac, Maison des Sciences de l’Homme d’Aquitaine, 2008, pp. 47-73
• “Du pastiche à l’original, traces et trajectoires de l’Independent Group (1952-1956)”, Ph.D. Thesis Université Paris 8, ANRT, Lille, 2007
• “Marcel Janco, between the Dada performances in Zurich and The Modern Housing projects in Bucharest”, contribution in the 9th  DOCOMOMO International, Ankara, 2006
• http://www.archi.fr/DOCOMOMO/docomomo_electronic_newsletter3.htm
• “L’iconographie de la vitesse dans les textes critiques de Reyner Banham”, contribution for the international symposium Repenser les limites : l’architecture à travers l’espace, le temps et les disciplines, organized by the Institut National d’Histoire de l’Art (INHA, Paris) and the Society of Architectural Historians (SAH, Chicago), Paris, 2005
• « Maison Duchamp », in Defining Digital Architecture, Basel, Birkhauser, 2002, p. 161

• “Loitering… Parisian Journey”, The Arts in Urban Development Waterfronts of Art II, Any: No. 3, 2002, pp. 270-275;  http://www.raco.cat/index.php/Waterfront/article/view/214732
• “Your Land Value”, Defining Digital Architecture: 2000 FEIDAD Award, Taipei, Dialogue,  2001, p. 97
• “Archigram”, Nouvelles de nulle part – catalogue d’exhibition Utopies Urbaines 1789 – 2000, Valence, Editions Reunion des Musées Nationaux et Centre Georges Pompidou, 2001, pp.164-167;
• “High-tech Homeless Kit”, Citta Terzo Millennio, la Biennale di Venezia, Marsilio, 2000, pp. 206-209.